Posts Tagged ‘waves’

Swell 4

Thursday, December 24th, 2009

Arrival

The latest in our wave makers arrived innocuously enough with a soft and barely perceptible pulse arriving late in the evening. I had watched the shoulder high lines stacking up at California Street at last light, under yet another masterpiece sunset. Yet not much pulse showed on the weather buoys.

The next morning at 3 am saw the East Channel buoy climb 3 feet in the interim before dawn. A straight West swell, and not too big. It was the proverbial Goldilocks and the Three Bears storybook combination of swell angle, size and weather for the Gold Coast’s multiple breaks. It would be “just right”.

Damn. I knew at that point I would be on the road. I knew all other aspects of life would have to come to a halt. But it is, just what it is, and I wandered, viewing with rapt wonder at the 14-15 second interval swell that featured sets with so many waves in them that each spot became a lineup dream of pulse, spoking  into, around, and down each break.

The abundance was such, that even at the more crowded spots I saw innumerable waves spin by unridden.

Swell 4 lit every place up and the perfect disposition made it fit a diverse number of ability levels as almost every place became a diorama of rolling perfection. A holiday gift for all of us.

Lars Rathje

Click on any of the images in the gallery below for a larger view.

Swell 3

Monday, December 21st, 2009
Fred Viela

Fred Viela

Just when we all thought we were safe and no more responsibilities would be shirked, the life of the California based surf community turned on it’s axis from the arrival of swell three of the 2009-2010 El Nino Season.

The storm which spawned our most recent pulse, began in similar fashion to the prior. It was another early season storm. It began life as a series of somewhat unimpressive low pressures, which were all affected by a series of high pressures. The storm initiated at a latitude that gave it an ideal fetch angle for a 290 degree WNW swell track.

As the storm developed, the lows cycled into one deeper approx 959 MB low and as the winds peaked, a combination of strengthening high pressure over California and in the Pacific basin along with a rising Northern jet stream sent the behemoth spinning into the Bay of Alaska with the largest percentage of swell energy occurring at points North of Central Ca. As the angle of the swell cycled more northerly as a result of the storm path and coincided with increasing intensity, we really missed an epic swell maker due to the early season character traits. But some places did not.

My call from Chuck Patterson came as he wearily dragged home, after getting an amazing slab session in Central California. Jeff Clark sent word and images of truly epic NorCal as Mavericks broke at a solid twenty feet on the old Hawaiian scale with dead glassy conditions.

What we saw in Southern California, were warm, Santa Ana kissed days. Shirt sleeve weather bloomed, as the page on the calendar turned, and Winter fell upon us.

Another 750 images went through my Canon 5D Mark 2 body as I looked for and found some solitary respite.

The images below show some of what I saw, from the pulse created in the heartbeat of a storm which for a couple days two thousand five hundred miles away the energy of the sun injected into the North Western Pacific.

It is why I like shooting water really: those dawn images, sun hanging in barrel, when turning, spinning, swell transforms into a stained water chathedral, leaves me rapt, and frequently brings me to a place where it feels like I have been touched by God. And in a way, I have been.

Cathedral

Cathedral

Click on any of the images in the gallery below for a larger view of our new Winter, which is frequently the best Summer one could imagine.

Rinse and Repeat

Tuesday, December 15th, 2009
Hans Rathje: Rinse and Repeat

Hans Rathje: Rinse and Repeat

I have had to watch weather a bit more closely than I usually would this season, because Garrett MacNamara, K38 Rescue, and a few other pals of mine are involved in big wave events and have sort of sucked me into the preparation that goes into being in the right place on the right day.

We are in the midst of an El Nino season. No doubt about that now.

So when the murmers about a potential swell maker began to filter through, I forced myself to take a close look at available weather telemetry and began my process of wind and fetch tracking and analysis.

What I saw was a deep low with two fetches separated by a high pressure gradient. The swell rumor hype started with “Epic best swell since 1959” and words to that affect.

The weather map said this to me: a good storm but NOT the kind that would make for epic conditions, because it was still what we call an early season storm. That is to say, that it would be impacted by the existence of too many high pressures in the storm track, along with jet stream issues, which would prevent the thousands of miles long fetch that one looks for in historic swell events.

The storm would pass close to Hawaii. The close proximity meant less than perfect conditions, but a LOT of push. IE it would be big, but in terms of the big wave arenas, Jaws would be best, with Kona conditions. There would be bump and wobble else where in Hawaii, and at 20 feet, that is not optimum. So NO epic swell, but big.

Most events were told to stand down. The Eddie Aikau memorial later went.

I watched. And worked. And waited. You could see the storm developing and a nice high pressure that would keep California in great weather started to drop into position. Things began to line up.

What we are calling Swell 2 of the El Nino season hit here in California, and I found myself watching some breaks be flat, and others go off at size. I opted for the sizeable places and set out to create a broad spectrum of work with some people that I like to hang out with, due to their water ability.

Day one of the swell saw me in Ventura and Oxnard, at places the swell focused on.

Day two, I was at Rincon at o dark thirty and swam Backside as the tide dropped, after seeing some of the prettiest Queen in a while, go off with a light crowd post dawn.

The Backside swim was hilarious as we broke two boards, bodysurfed, got slammed, spit out of barrels, went over the falls, and generally just had a great time being watermen. The joke level was high and it was often difficult to keep my head above water as I laughed, seeing Larry get pitched into mid air sans board in a body launch, or Lars sliding into the barrel since he broke a board and opted to bodysurf sans fins.

We would be sitting out at the end of the rip and one of the boys would intone; “Surfers in the rip, throw away your board and wave your arms, someone will be along to help you presently.” (The guys are lifeguards).

Then we would reposition and 1000 tons of solid blue North Pacific swell would rear up and a spinning emerald green slab would beckon and challenge us to “do something” while the others taunted and-or, encouraged the person in the saddle.

At the end of the swell, as I sat in the office processing what was a best case scenario for combination of swell and weather and sand position, I watched the Pipe Masters go down in flawless 4-6 foot ultra clean conditions. In fact, it was VERY similar to here. Because by the time the swell dropped, and weather moved away, it was an 8 of 10 possible on the scale of swell and weather for Hawaii. What I saw as I processed these images below, which are a small segment of the 120 image final file, blew my mind.

A lot of the guys I know were having the performance showcase of a lifetime in a format designed by Kelly Slater that is incredibly innovative and performance encouraging, as it downplays the hassle for wave factor that occurs in most competitive formats.

So as it turned out for Swell 2, the true and only real history, was made in small surf, not large. Not to take away from the big wave events that did go down, but the real story occurred at Pipeline and at some other spots in California, that maybe only you and a few friends knew to be at, because well, you just know when your spot is going to deliver. Because you are a surfer.

And we all now watch to see what the Earth will deliver, having had a couple dress rehearsals. I find myself sort of holding my breath, as I believe we could see something big. But that IS why they call it weather. (whether) You have to watch it, then be there.

My hope is that people are responsible and that no one does anything “for the camera”, but because they are surfers, and that is what we do.

Here is the blog of Hobie waterman Chuck Patterson, who was at Jaws for a marathon of very clean big wave surf. I am not sure I could have done 4 days in a row at sea filming. He did 4 marathons back to back to back riding. Lost no boats. Came back safe once again.

Here is some amazing work posted to Facebook by cinematographer Michael Prickett. It is from the Eddie Aikau Memorial event. Eddie went, and so did the event! Stoked and many thanks to Michael for his fine work. He was all over at Pipe, doing water POV as well. Just outstanding.

Frame One

Frame One

Slab

Slab

Big and Bright

Big and Bright

Anticipation

Anticipation

Larry Ugale: Slide

Larry Ugale: Slide

Hans Rathje

Hans Rathje

Empty

Empty

Dolphins

Dolphins

Keoni Cuccia

Keoni Cuccia

Day 2 Rincon Dawn

Day 2 Rincon Dawn

Pristine Queen Lineup

Pristine Queen Lineup

Backdoor Defined: Lars Rathje

Backdoor Defined: Lars Rathje

Larry Ugale: Blue Careen

Larry Ugale: Blue Careen

Backside Definition: Hans Rathje

Backside Definition: Hans Rathje

Larry Ugale

Larry Ugale

Jake Vail: Slide

Jake Vail: Slide

Larry and the magic bearded clam

Larry and the magic bearded clam

Sliding the bearded clam: Larry Ugale

Sliding the bearded clam: Larry Ugale

Click on any of the images below for a larger view of some of the swell’s select images.

Wonder

Sunday, November 8th, 2009

It has been a very busy year. So busy in fact, that I have needed to learn how to recharge my creative battery while on the fly. Fashion, Video projects, TV projects, motion pictures, my penchant for documenting beautiful things, travel, new tech, literary projects, commercial imaging, social projects, community, and hopefully some of me for my wonderful girlfriend and family. All of these things have beat a tempo never experienced in the realm of my career as an image maker.

It comes at a time when the economy is without a doubt at one if its worst places in recent history. Things have never been so hard for so many in the scant 50 years that I can recall on this blue ball. It is so distressing with friends and Country being dragged so horribly through the gutter, that it would be a more natural reaction to recoil in horror. But I don’t.

Seth Godin dropped this fantastic blog into my e mail this Sunday morning that had me go: “AHA” and sit down to write and ply the pixel seas for this.

I am supposed to be preparing for a fashion shoot for the next couple days. In fact I am supposed to be doing quite a few things like that.   Four AM today I awoke with the Music Video for Elliot Minor that Tyler Swain and I have been whacking away on in edit for the past two days, alive in my head.  I have watched a lot of their videos recently. High budget deals. Ours is not. Tyler was simply inspired enough by them to pen a concept and call  his friends, who in turn were equally inspired at the band’s ability and desire to deviate from a Pop culture, success formula laden career path, that we threw down our various skills to make something special at a unique fork in their creative path. So we endeavor to create something that will convey passion. The song is dark. We are all about light. It is a creative challenge. Plus there is only talent, no budget. But talent and passion trump dollars every time. All my close friends and colleagues live this credo. So doing fantastic work without a lot of money is just normal to us.

I was struck by what Seth said as he pinpointed exactly why I am busy: I have been focused on fabulous, but more succinctly: on wonder. The money sure isn’t there. But then I have never had that as a motivation for what I do anyway. Much to some of my commercial colleague’s concern over my well being. But it seems to work.

The Dictionary defines wonder here as a noun. Simple word, but since it converts easily to a verb, it is a very intrigueing thing to ponder:

wonder |ˈwəndər|
noun
a feeling of surprise mingled with admiration, caused by something beautiful, unexpected, unfamiliar, or inexplicable : he had stood in front of it, observing the intricacy of the ironwork with the wonder of a child.
• the quality of a person or thing that causes such a feeling : Athens was a place of wonder and beauty.
• a strange or remarkable person, thing, or event : the electric trolley car was looked upon as the wonder of the age.
• [as adj. ] having remarkable properties or abilities : a wonder drug.
• [in sing. ] a surprising event or situation : it is a wonder that losses are not much greater.

The worse things have become for the country, the more I have said yes to endeavors that point out the fabulous, the blessing, the awe inspiring. Why? Because we need them.  I want my family, friends and country to thrive. Inspiration is the fuel of innovation and we need that right now.  Possibly like never before. So I am going to continue with tail feathers on fire and hope the sparks ignite something in enough people that I feel it is safe to rest a bit.

I wonder. Here is some. It is all that I have to offer you. But it may be enough, if you treat it as seed. We need to plant seeds right now. No future harvest exists without them.

Liam: Wonder

Liam: Wonder

Looking for Rainbows

Looking for Rainbows

Hans Rathje

Hans Rathje

Zuma

Zuma

Hans: Zuma

Hans: Zuma

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puu-4975puu-0320

Minor Monitor Burn

Minor Monitor Burn

Contrast

Contrast

Bliss

Bliss

Indian Summer Sunset

Indian Summer Sunset

My son Jon, me: Family

My son Jon, me: Family

puu26531

New, Bigger: Better?

Saturday, October 24th, 2009
Better

Better

I just spent the better part of the past week bouncing back and forth between post production and producing a richly diverse amount of new imagery. Multiple subjects, 7 days, in both motion picture and stills. I truly redlined my Canon 5D Mark 2, and utilized every facet of the camera learned from the last six months usage.

Throttling back, yesterday I pondered my Google alerts. I set alerts on Google for new technology. So I get e mails which carry the keywords that I am concerned with.  Here is the deal. For the first time ever, tech is working, and doing it pretty much seamlessly. That being said, we are on the brink of even newer tech. So part of my job responsibility is researching what is up and coming, and sorting out a path that will keep me from over investing or actually even send me down a road where potential new tech failure can cause loss of time and waste of effort.

I am cautious in a way that I have never been before. Why? Because things are working at long last. My product output in motion and stills offers the maximum amount of creative freedom, and minimal amount of office time while rendering THE MOST economical and highest quality work I have ever produced. That means great benefit can be imparted with a maximum of return and the highest quality of work  ever.  I could actually OWE the IRS something some day soon. The last 10 years have seen a  perpetual investment in new tech and equipment, just so that creative quality could stay ahead of the global curve.

The other day my Google alert showed two interesting items. One a new tech Mac (right as I was about to push the “buy now” button on a Nehalem Processor machine) and the new Canon 1DS Mark 4. I am now waiting on the new 6 core Mac which should arrive around the first of the 2010 year. I will never own the 1DS Mark 4. It sends me in the wrong direction for the type of work I do. Thankfully I know enough to NOT jump on new and bigger (read that: more expensive) as being better. Though for some, the streamlined work flow the 1DS Mark 4 offers and high FPS firing and unlimited ISO settings will be a boon, those things will not be for me.

The market in editorial, commercial and art is in exactly the same quandry, as they look at the work produced. Inevitably some new person comes along and for awhile cruises to the relative top of the heap. But in short order the market levels that climb and the new guy is often sent off the back of the competitive global imaging pack. The thing is, that my colleagues are remarkably bright, talented and driven. We all moderate each other. It is part of the reason for me doing this blog. We sharpen each other. So that being said, here is a small selection of imagery from this past week. I stored over 1200 finals in edit.  I left out the Architectural, American Lifestyle, and Fashion work shot the past seven days, out of concern for theme and not wanting to dumb down the over all beauty that I saw on my local coastline this week. I really want to share THAT,

Right now it is all sort of New. Thanks to the Canon 5DMark 2 it is Bigger. Thanks to Apple and Adobe it is definitely Better.

Seth Godin writes on a related topic here.

Improvements keep coming down the pipe. I appreciated this blog here.

An excellent leading edge computer hardware company, Other World Computing, is right here. Read their blog. Go ahead. As we all seem to say these days: “Embrace your inner nerd.” You really have no choice. Then go create something new!

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Gregory Schell

Gregory Schell

Larry Ugale

Larry Ugale

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Hans Rathje

Hans Rathje

Gregory Schell: Anticipation

Gregory Schell: Anticipation

Hans: Golden Laugh

Hans: Golden Laugh

Larry Ugale: Progressive

Larry Ugale: Progressive

Larry Ugale: Committed

Larry Ugale: Committed

Hi Def Windowpane

Hi Def Windowpane

Lars Rathje: Zuma Blue

Lars Rathje: Zuma Blue

6'1" of Power: Hans Rathje

6'1" of Power: Hans Rathje

Lars: Cobblestones Pano

Lars: Cobblestones Pano

Lars: Nope

Lars: Nope

Lars: High Contrast-High Def

Lars: High Contrast-High Def

Hans Rathje: Technically Perfect

Hans Rathje: Technically Perfect

Hans: Deeper

Hans: Deeper

Hans: Hang Time

Hans: Hang Time

Hans: Curtain Call

Hans: Curtain Call

Mary Osborne: Home

Mary Osborne: Home

Shutter Stall

Shutter Stall

Invitation

Invitation

© 2009 David Pu'u. All rights reserved.

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