Posts Tagged ‘Hans Rathje’

Non Artistic Interpretation

Monday, August 2nd, 2010

It was only a year or two ago, when I realized that I am an “artist”.

At a very young age I painted. My Father and Uncle were both painters. So as any child would, I simply took for granted that painting and drawing were normal endeavors.

At 12 I had learned Photography and studied Philosophy. It was what was going on around me, and being inquisitive, I learned.

So does a bird realize it is a bird? Of course, flying would not be so special to him. But to someone without wings, oh to soar!

I had a request this week for a look at a year’s worth of work. I put together an edit cull of an approximate 1 year cross section of subjects. This required me, for the sake of brevity, to eliminate motion and all work shot, but not through, final post production, from being placed into my edit list.

Keep in mind, that this modus eliminated twenty or so projects. (I shoot a large number of subjects in a year.)

When the cull was complete, the Art aspect  of the year’s work flow really struck me.

I had no conscious thought while I was working, that anything about what I was shooting was quite so special. Many years ago, a commercial photography colleague told me that I would have to choose between being a businessman, or an artist, in my imaging career.

Today, I am not so sure one has much of a choice about what to be. As many children of the fifties learned while watching the cartoon Popeye growing up, when he would say nearly every episode: “I am what I am.” Sometimes it is best for efficiency and happiness’ sake,  to embrace that sooner, rather than later.

Seth Godin has this to say about Art. He nails it (as usual).

Excerpted from Seth’s A-Z blogpost on Aug 1, 2010: A is for Artist: An artist is someone who brings humanity to a problem, who changes someone else for the better, who does work that can’t be written down in a manual. Art is not about oil painting, it’s about bringing creativity and insight to work, instead of choosing to be a compliant cog. (from Linchpin).

Time to fly.

Always.

Windows of Perception

Saturday, July 17th, 2010
Nias Dawn

Nias Dawn

Perspective is a unique line item for all of us. Our own Point Of View (POV for short) is one that, being our own, may not seem particularly special to us. I find myself overlooking the fact that I can be rather unique. You may tend to do that as well.

As a photographer, writer, film maker, I am all about communicating a designated POV. I decide what perspective a subject ought to be examined from, in order to best embrace a particular viewer-audience.

This was one heckuva busy week. I shot a music video, BMX, a performance music video piece, K38 rescue work, did editorial fulfillment for lifestyle and some fashion publications. In each project, it was my choice of POV which made the work have appeal, or  “cachet” as I like to call it.

Here is a great clip, where the POV the film maker chose in communicating a mans job place, is a best case example. From music to narration to lens perspective, I was completely smitten by this.

Be you. It matters.

The gallery below is from this week. A short look at a thousand images and 6 hours of motion picture, most of it shot in the last 6 days. All work was filmed with the Canon 5DM2. Sound was captured using the  Beachtek DXA controller with Rode Shotgun and Audiotechica Propoint symphonic mics. One thing for sure, Canon not only makes my POV possible, they make it easy!

Click on any of the images to toggle through as a slide show.

Earth Angel

Friday, March 5th, 2010
Renewal

Renewal

angel |ˈānjəl|
noun
1. a spiritual being believed to act as an attendant, agent, or messenger of God.

“So let the Earth give testimony.”

I was raised in Santa Barbara. Most of my earliest and therefore strongest influences, were based on my native Hawaiian Culture’s perception of man’s place in the world, and the catch all of SB culture’s budding eco consciousness, and the science based tenets of our University and College.

But one of the most basic of principals, and something upon which my work is founded, came not from my social and cultural mores, it actually was planted in me at conception. No one really understands how life generates. For lack of any more accurate descriptive terminology, we call the impetus that creates life, the hand of God.

Man is unique in all that walks, swims and flies the Earth. He has a level of power to affect his environment. He is a minor architect fashioned in facsimile to a grand Architect. It is why we are so cognizant of beauty, and as our culture grows away from its native tribal roots, where we lived close to the land, this beauty can serve to bring our attention back to our primary essence. That is a very important aspect to having a healthy culture and society.

We reside in the most complex of systems. Recently, man has developed a computer that has exceeded the computational power of the human brain. We are capable of affecting Spaceship Earth either in a positive, or negative manner on a greater level than ever before in our history.

We parachute into this spinning, wonderous blue ball, and become someone.

Then we leave, small and great.  Each one of us has that in common.

The Earth was made for us. As a citizen of this place, residing in a country whose very Constitution recognizes the tenet of being under God, I have a great respect for our responsibility to reflect and nurture through stewardship, this amazing planet.

But here is the really great thing about this place: it goes on, whether we affect it positively or not. That is how God designed it. The Earth gives a living testimony to His Sovereignty.  Science bases much on the Law of Entropy, which is the progression of things towards disorder. Mankind is one of the only creatures that I am aware of, that can actually have some affect on Entropy, yet true affect is relatively minor, when put in a global scale, or geological timeline, for humanity.

But whether we choose to act as responsible passengers or not, the spaceship will arrive somewhere some day, with an entirely new crew.  So what is important to you? How do you fit in? What is your role?  In a season, there will be new flowers growing. Each a blossom unto itself.

Here is a link to a demo reel that I did awhile back. It is very illustrative of our Earth.

It pays to know who is in charge.  All the rest is just the short strokes.

U2 and Greenday: Getting it done. The saints are coming. And if that was not enough. Eno and U2 with One. Amazingly on point.

David Fortson of Loatree motivated this post. He is a catalyst for change and sustainable thinking.

Angel

Angel

Click on any of the images in the Gallery for a larger view. I did this edit as an Earthday Homage. It is a sliver of what I see, in any given moment, in my passage on this ship.

Swell Five and the Marathon Man

Thursday, December 31st, 2009

Frame 1 Day 2

It was o dark thirty on the second day of swell event number five on the Gold Coast, in the middle of the El Nino 2009-2010 season. I was gingerly working my way down the spiral stairway which leads down from the aerie which is the loft bedroom that overlooks one of the beaches I shoot all of the time. Under my left arm was my Macbook Pro. In my right hand my cel phone. Quietly, carefully, I padded down the bamboo shod steps, and my right hand exploded in song.

Deftly I snapped the cel phone open. Chuck Patterson was on the line. “Hey Dave, headed your way. Whatcha doing?” I knew that it was cloudy out, having peered at the sky already, but knowing Chuck had already likely left home in OC very early, my answer was predictable: “Um, meeting you?”

By the time  I reached the kitchen, we had arranged a meeting place. In ten minutes I was in the car, a cup of coffee in my hand and full camera kit stowed. As the car rumbled to life the sexy female voice that is my bluetooth, told me I had another incoming call: Lars Rathje. Overhead the ominous dark clouds began to be tinged with the grey tone of an impending dawn, still an hour away. Well, looks like a crew shoot, I thought. Wonder what the day would offer?

The prior day had been grey with soft flat lighting and a beautiful 4-6 foot WNW swell. Looked like more of the same, except that swell on the buoys was a little bit larger.

Twenty minutes later, saw us all gathered under a brightening dawn sky. Chuck’s big ass truck, chock full of his water toy-tool collection was already waiting in the parking lot of a place we hoped to shoot. He was on the phone, so I meandered out and had a look. Hmm. 3-4 footers peaked and the wind looked to be slightly side shore. An indicator at this time of year, that the day would be Santa Ana. I knew that we would need to look around, to find a more suitable wave.

Chuck joined me, and nonchalantly mentioned that he had gotten off a boat at 3 am. He had been out at Cortes Bank. Said that it had been fun. Interesting. But we were focused. As Lars, Hans and a friend showed up, we all had a quick look, and before the sun was risen, were on our way out of the parking lot. The Chase had begun.

An hour later, having checked a few places, we wound up down the street from my house. Crisp edged blue lines strode down a long point, brushed by a 10 knot, cool offshore wind. My phone had been going off the entire time with messages from Tyler Chandler. Tyler is a budding 16 year old photographer. He and I had been having a tet a tet online for some months. He was camping nearby with his parents for the holidays, as his Dad commuted up to Santa Barbara for work. I told him where we would be, and he walked on down from their campsite.

I opted to long lens, as I had a lot of people to shoot, sans tripod. Hand holding my big Canon 600mm IS lens is not something I often do, but this spot is right on the freeway. It was empty and I did not particularly want to advertise what we were doing, and ruin the session for the few knowledgeable people that would show. But Tyler found me immediately, and we chatted, as I tutored on the nuances of our craft.

He and I clicked away, and frequently changed position as the boys drove through some spinning barrels at mach speed. It was perfect. And challenging. Chuck had opted to SUP the place on his 8′6″ Hobie stinger Quad. The boys were short boarding, their friend was body boarding. A few other people were scattered on the point.

Pretty amazing that Chuck could even stand, having just completed what I knew from personal experience, to be an incredible marathon out to Cortes. He had taken an 11 foot SUP to the wave. Chuck is a tripper. An elite athlete in so many sports, that it is sort of mind blowing. He is one of my favorite subjects due to his savvy and yet easy going nature. We have spent some amazing times together around the world. Here we were again, scoring within eyeshot of my house.

A few hours later, we grabbed a late breakfast at Cajun Kitchen in Downtown Ventura and after, headed immediately South in what had become a bluebird 75 degree Santa Ana day. A check of an infrequently surfed mysto spot, saw it vacant and somewhat fickle at 3-4 feet. Before I knew it, the boys had scrambled down the cliff and I struggled to catch up, as loading a water housing and getting into my 5  mil wetsuit, takes a little time.

This particular wave washes up a cliff and sends a backwash wave immediately out to sea, which sweeps sideways across the next, incoming blue sparkler. It is a high degree of difficulty wave to surf. Yet Chuck was somehow managing to stay astride his SUP board. I am sure he was the first to ride it on that sort of craft. Hmm, I pondered, as I slipped over the boulders, and out through the shore pound: two firsts for Chuck in 24 hours: Cortes, here.

It is complex pioneering a new sport. SUP is so young that it has not yet found stasis amongst the ocean going community. Many people hate the big boards. In similar fashion to what occurred with the advent of the birth of modern longboarding, there is extreme resistance and punishment aimed at its proponents. But people like Chuck are rare in any sport. He is so level, so polite. He reminds me a lot of Garrett MacNamara in his exercise of restraint when SUP surfing a break. As senior watermen, they have it down, and are diametrically opposite of the more novice surfers who use the board’s superior paddling power to dominate a break.

We picked off a few good ones, surfing alone for an hour and a half, before Fred Viela and Jake Kelley showed up. There not really being room for all of us, we opted to reliquish the wave to them as we had already gotten a good turn. I grabbed a couple images of the two before we left. I like the fact that Fred and I always seem to be in synch. I was stoked to get an image of him at his home break.

As the day waxed long, and afternoon waned, we all found ourselves at another seldom surfed, fickle spot. It was 3 PM and we had been going since 6 am. But Chuck he had been going since the day before. Hans and Lars opted out of the third surf and we said our goodbyes. Happy boys.

Chuck and I lolly gagged, hemming and hawing about whether we would shoot, in spite of seeing some really good, oily glass, golden green waves, roll perfectly through. A smallish group of guys plied the break. But off to the side, we kept seeing a  solitary peak pop up.

It hit us both simultaneously. The realization. We both saw the light go on and grinned. “What are we doing? You are here, I am here. Lets do it!” And we laughed. I hand held the 600 again, as I perched in the  rocky blind of a jetty that lay below Coast Hwy 1, and Chuck put on an amazing display of balls out SUP, alone on one of the more beautiful days that we will see this year.

Then up the beach as the light waned, I saw it. A beaut of a backlit swell, wandering into the reef, where a solo surfer paddled for it. I trained my lens on the surfer, as he dropped in and stumbled to his feet somewhat clumsily. Three frames clicked off as he slid through the barrel. Perfect. In many ways.

In surfing, many of us strive to be what we consider best, We do exploits which increase in difficulty as the years go by. Here was Chuck, a best case example of a waterman, surfing alone, while someone with  a  fraction of his ability, scored the wave, and likely shot, of the day.  I say that because I know that the wobbly surfer’s wave was obviously a peak moment. A high. While Chuck was just playing. It was the rarest of the emerald gems collected on that day as a result.

As sun set, and darkness settled, a dramatic frontal band darkened the horizon. Chuck and I parted. He to his wife, and me to a birthday party that my girlfriend Donna had organized for me. A long day, a good day. As the car’s turbo spooled and I swung into the sweeping turns up Coast highway, it occurred to me how blessed that I was. My friends define me. I am so lucky that they call.

That night, 60 or so, gathered at my house. An amazing collective of some of the most talented people I have ever seen gathered in one place.

Marathons can be a good thing.

You can find an account of Chuck’s excursion to Cortes at Hobie, right here. and on Chuck’s blog here.

Seth Godin has some interesting observations pertinent to this blog and our lives and careers here.

Donna Von Hoesslin posts something beautiful about the New Year, on the Betty Blog here.

On this eve of the start of a new decade, it is not just a wish for a happy New Year I offer, but one of encouragement, and a challenge to include yourself and your own talents in what goes on within your own community, what ever, and where ever, those may be.

Here is something sweet, sent along by Suzi Ryder. Well done!

Below is that sole surfer’s great wave and image.

Sole Peak Moment

Click on any images in the gallery below, for a larger view. 56 of 250 images from the final file.

Swell 3

Monday, December 21st, 2009
Fred Viela

Fred Viela

Just when we all thought we were safe and no more responsibilities would be shirked, the life of the California based surf community turned on it’s axis from the arrival of swell three of the 2009-2010 El Nino Season.

The storm which spawned our most recent pulse, began in similar fashion to the prior. It was another early season storm. It began life as a series of somewhat unimpressive low pressures, which were all affected by a series of high pressures. The storm initiated at a latitude that gave it an ideal fetch angle for a 290 degree WNW swell track.

As the storm developed, the lows cycled into one deeper approx 959 MB low and as the winds peaked, a combination of strengthening high pressure over California and in the Pacific basin along with a rising Northern jet stream sent the behemoth spinning into the Bay of Alaska with the largest percentage of swell energy occurring at points North of Central Ca. As the angle of the swell cycled more northerly as a result of the storm path and coincided with increasing intensity, we really missed an epic swell maker due to the early season character traits. But some places did not.

My call from Chuck Patterson came as he wearily dragged home, after getting an amazing slab session in Central California. Jeff Clark sent word and images of truly epic NorCal as Mavericks broke at a solid twenty feet on the old Hawaiian scale with dead glassy conditions.

What we saw in Southern California, were warm, Santa Ana kissed days. Shirt sleeve weather bloomed, as the page on the calendar turned, and Winter fell upon us.

Another 750 images went through my Canon 5D Mark 2 body as I looked for and found some solitary respite.

The images below show some of what I saw, from the pulse created in the heartbeat of a storm which for a couple days two thousand five hundred miles away the energy of the sun injected into the North Western Pacific.

It is why I like shooting water really: those dawn images, sun hanging in barrel, when turning, spinning, swell transforms into a stained water chathedral, leaves me rapt, and frequently brings me to a place where it feels like I have been touched by God. And in a way, I have been.

Cathedral

Cathedral

Click on any of the images in the gallery below for a larger view of our new Winter, which is frequently the best Summer one could imagine.

© 2009 David Pu'u. All rights reserved.

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