Posts Tagged ‘canon 5dm2’

Surf Photography and the Super Telephoto

Thursday, May 23rd, 2013

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A few of us have been discussing the declining economic validity of Surf Photography and ensuing demise in editorial based content for awhile now. Recently, changes to baggage rates by air carriers have added yet another challenge to those Photographers and Cinematographers whose content topics require super telephotos in the attainment of the rather high bar required in action sports imaging.

The image above was shot with the Canon 5DM2 and the 600F4 IS lens with 1.4x v2 teleconverter on a monopod. Add up the original equipment cost of these items (all recently serviced by CPS BTW) and you come up with a dollar total of approximately 10 K. The entire dimensional weight of the system makes it theoretically possible to place in a carry on bag for airline travel and thereby avoid the risk of check in baggage damage of using a heavy Pelican 5150 case and paying an extra 150-300 dollars for that bag each leg of your trip.

Here is where I am going. At today’s current market rate, that same kit will cost out at approx 16.5 K and due to the inept nature of TSA and increasing silliness in Customs, can create a massive boondoggle as one passes through those security checkpoints. One sage colleague of mine who has possibly logged more air miles than any of us, related a horrific episode at LAX Customs recently, when they searched his gear and threatened to confiscate it (think terrorist, not action sports or nature enthusiast).

So one recent tack and possible solution has arisen. The telephoto zoom. Here are two. The Canon 200-400 f4 IS, and the Sigma 120-300 F 2.8. The problems with telephoto zooms are largely compositional. (most of us know we need the 880 MM of a teleconverted 600 F4 frequently) The benefits are various. But the economic issue remains the same.  Approx 13k for a lens to create imagery that in an editorial market may not ever pencil out, at the approx $100.00 per page current buyout rate.

I will keep my 600 F4 IS V 1 and no way EVER purchase the V 2 as it makes no economic or real imaging sense. I will use it when budget and access requirements make sense.

No way will I purchase the  F 4 200-400 IS. Do I want it? Absolutely. Does it make any economic sense? None whatsoever. Then there is the look of F4 versus the look of F2.8.

I absolutely will purchase the Sigma  120-300 F2.8. Do I want it? Umm, not really, to be honest. It is a little heavy, likely not as technically on point as the Canon. But here is the deal for me. I like the look of F 2.8 especially for Fashion, and teleconverted on a crop factor body, like the new Panasonic GH3   or with the soon to be released Metabones speed adapter, the system is economically feasible, would have an outstanding look, and be able to create a realistic kit carry on for air travel that would be far less glaring to the potential jack ass working what we all laughingly refer to as “security”. It is a great compromise that makes sense in every way.

Accomplishing the goal of producing compelling high bar imagery on demand, any where in the world, in an economically feasible manner, has never been so challenging and so rewarding, as it is today. Rather than be under a black cloud about the downside, I am going to choose to focus on my own goals and have some fun with the shifting diorama within the Photography industry, where disconnection from market realities by Canon and Nikon and radically improved market focus from relatively small players and lesser knowns, is creating some fantastic opportunity for all of us as we move forward in this increasingly interconnected digital world.

Thanks to all of my remarkable colleagues for pushing the envelope in Photography and Cinematography in their own work, and in the generosity they display by always being willing to contribute to the ongoing discussions that define who we are: an independent creative group of freelance professionals, which will hopefully forever be at the core of authentic and high bar content creation, around the world in this crazy and fantastic, challenging, shifting diorama.

Below are a few more 88o MM images from this week.

Aloha oe. A hui ho.

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Waking Dream

Sunday, October 23rd, 2011
Waking Dream

Waking Dream

 

Ever have one of those mornings where you awaken to an exceptionally pleasant reality? The scenario could be anything. But everything in your emergent diorama, is as a sensory massage.

 

A persistent tap-tap-tapping drew me as a man on a rope, to emerge from a rich and multi-hued pool of color, which slid warmly across my skin, as head to toe, my body emerged into the dimness of a small room.

 

I have dreamed in color for a long time now. It is no coincidence that in my craft as an image maker, the principle endeavor is to recreate what I experience via dreams, in the reality of a world that often, does not (nor should) reveal things in the light of my inner vision.

 

Eyes adjusting to the dimness, overhead in  grey smoked dark, I could discern the blurry, whirling, form of a large fan. White 4 foot long blades reduced to motion, as they stirred the humid dankness. The whop whop whop noise as the white blades cut shadow in the recesses of the mahogany stained wood crafted ceiling, just within eye reach: that had been the tapping noise.

 

Accounts of death suggest that hearing is the last sense to leave. In dreams, sound can be a sub psychic trigger, a subliminal suggestion. The process, is not unlike that which a hypnotist would use. I have found that many creatives experience that thing known as a waking dream. As one matures, the ability to bring substance into the shadow reality which is inhabited by the conscious light of day, (our workaday lives) can grow.

 

I have often suspected much of what we see around us in culture, is a result of this process, that of the waking dream,  which is suggestive of new potential and possibilities. The famous names who gave this account as being part of their process is impossibly long, from Inventors, to Philosophers and every pursuit of man that lies between the two. In deeper spirituality, you will find people who have learned to induce that state, as a tool.

 

The scent of clove and prayer, mixed with wood smoke. In a synchronous response,  several cocks crowed in unison. I was on Bali. In the stillness, soft breathing and a cocoon of warmth lay turned towards me. And slowly, I slid out from under a cool sheet, and in the dark, found clothes, camera and lenses. In moments I was roof top 40 feet above all else around our home stay in Ubud, Bali.

 

Ubud is a hilltop city. Our building was one of the taller ones apparently, which offered an aerie from which to peer out on East, West, North, and Southern, horizon points. From that spot, it seemed as if you could reach the firmament visually. Roughened concrete under foot, the weight of my Canon 5DM2 and L series lens hanging from my apish human form, I moved into a waking dream, and watched.

 

As the eastern horizon began to lighten slightly, the flow began, as all creation within a 360 degree sphere were considered as elements for a possible composition. Imaging is not much different than creating music. It is probably just how mankind was wired originally: to assemble and focus energies.

 

And for two hours, I played in the swirling light,  read the shifts, and saw what I had in my dreams. Onto a digital palette it went, a waking dream.

Firmament

Firmament

 

I have no illusions about myself, nor what my role is in the world.

 

As I finished up under the weight of the morning chorus, a work written as a result of experiences in Seychelles, came to mind. Such was the experience this daybreak. Michael Kew is am amazingly perceptive writer. His words follow….

 

[“You defiled your sanctuaries by the multitude of your iniquities….” (Ezek. 28:18)]

 

[And He said to them, “I saw Satan fall like lightning from heaven.” (Luke 10:18)]

Anachronistic Tableau

Anachronistic Tableau

 

Pulsating, it rose in crescendo and veered to a different timbre. The melody soaked into the scene, resonating from the light with hues more potent than the notes themselves. Lifting, dropping, coalescing in vibrancy like a climactic omen. The place quivered in unison before and beneath. Instantly, a small vestige of shadow appeared in the color.

Bright white burst into silence, and all fell in awe as He exhaled…expelling the source of that orgasm of sound. The seething flameball arced through the heavens, swift as lightning, rolling in a thunderous shriek of anger, shock, and pain. Its source reeked of a new emotion: hate.

Writhing and steeped in spite with remnants of glory and brilliance, spinning off into the darkness, strata of divine obedience and empyreal beauty redeemed from Lucifer’s being. His transgression? No tempter for him, no blame—only one to account for and to. And his body touched the cold dirt of earth, raped of the light of praise, strength, solace, love.

Black, hollow, empty. A shell of what he had been, Satan slithered into the inky depths of his new found netherworld. Leering to the heavens, the night flickered with sparks, which faded, one by one, as a third of all God’s siblings followed in Satan’s fate.

 

[And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living being. (Gen. 2:7)]

 

(From the story “Bridge to Eden”, by Michael Kew)

 

Pushing open the intricately carved wooden doors of our bedroom, in seconds, I was undressed and sliding in between plain white sheets, arms slipping around the nude, soft, sleeping form of the woman I had flown around the world to be with.  As I softly kissed her neck, she stirred. “Welcome to Bali, David”.

 

Garden Dreams

Garden Dreams

Waking dreams are powerful things. Everybody is made for a purpose, and would do well to come to the understanding of where they fit, within the context of a more grand architecture. When that occurs, the dim understanding of how life works: brightens. That is a good thing to have happen in this existence. It is the essence of true creativity. This world is all about entropy. We are architected to be agents purposed with averting that. Those are the marching orders of creation. You see it wherever you look.

Best thing on can do really, be looking.

It informs the heart.

Architecture

Architecture

 

Here is the trailer from an interesting little film starring Robin Williams. A Waking Dream come to us through the artistry of Cinema, that is the melding of multiple Arts.

Below is a little gallery of images from my first few days here on Bali. Hope they create a tableau for you.

 

 

 

Waves: Neo Creative

Monday, January 17th, 2011
Gemology

Gemology

I needed to shoot more wave and water surf work after the past couple months like, umm, well let’s just say, I did not need any more work to satisfy my commercial or editorial clients.

But right now I am buried in post production work from multiple back to back swims over the course of several days. My feet have a couple ulcerous sores which are oozing blood. Caused by not having time to rinse some gravel out of my Da Kine fins in between sprints after a promise.

I have probably shot close to 10,000 winners in this genre. But the past several days saw a new tack for my creativity that came to fruition as a result of further exploration of the coast and the limits of the Canon 5D Mark 2 imaging system and Lightroom by Adobe.

What had heretofore been impossible and not even dreamed of beyond the canvases of Artists like Robb Havassey, Wade Koniakowski and Ron Croci, I have now found to not only be possible, but in a way to be better. Why? Because it looked like what my psyche saw.

It is a trip swimming around in the first few minutes of light. Often I see things that make my heart sing but which my words and camera do not seem able to communicate adequately.

That barrier broke this week. It happened all at once after 12 years of exploration.

Here are a few samples.

Seth Godin had this to say about pursuing a dream, and more.

Whew! Got it!

Whew! Got it!

© 2009 David Pu'u. All rights reserved.

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